Saturday 25 February 2012

From my LJ archives


 It is too hard to change the settings on my LJ, so I am just going to copy and paste all my posts dealing with my magical practices into this blog.

LILITH RITES  JULY. 24th, 2005
I’m in the process of writing another version of the Lilith rite that was performed last year with members of the Lilim e-group. The original version of this rite consisted of a series of solo-sex acts performed by four Demon Queen Priest/esses as invocations of four aspects of Lilith. A fifth Priestess opened the circle, called the Demon Queens and assisted in the invocations by leading the other participants in the accompanying chants and spells.

The circle casting and the chants were based on a ritual circle casting which had been written and transcribed into Sumerian words and phrases by ..... (didn't get around to asking if it was ok to post your name, so I won't just yet). The ritual was preceded by a ritual induction through the four elements which was developed by the five principle ritualists. After the invocations the other participants were invited to engage with their own interpretations of the Lilith energy by participating in (mutually) consensual erotic activities, to whatever degree they felt comfortable with.

The general intent of the ritual was to be an erotic invocation of Lilith energies in which the participants could explore their relationship with Lilith and with their own erotic potential. Participants also had the space to incorporate their own ritual intent into the experience if they wished.

I have to admit that although I found conceiving and writing the sexual elements of the rite to be a huge turn on, I personally did not find the ritual itself very erotic. I think the ritual disappointed a lot of the participants, because it didn’t live up to their expectations, the energy certainly turned out to be quite different from what I expected! Still I try to put aside expectations when I go into ritual, and experience the rite for what it is, not what I want it to be, and regardless of the way I experienced the ritual, it certainly answered the question I asked of it.

Over the last seven or eight years I have found myself involved in a lot of group work, with covens of six to twelve people, ad hoc groups up the twenty people, and of course the eighty or so people who attend the EUPHORIA gathering, even so I have often preferred to practice magick by myself, or with just one other person. After the Lilith rite I found that my desire to participate in group rituals, particularly erotically oriented group rites had virtually disappeared. My feelings about group rites are starting to shift now and I am once more enjoying group magick; I’m even starting to look forward to next EUPHORIA! However, I am still not really interested in participating in erotic rituals with large groups, or with people that I do not have strong feelings for. Funny thing though I still think about it.

My interest in writing sex magick rituals has definitely started to rekindle, which is why I have begun re-writing the Lilith rite. There will be more interaction between the principals, and more involvement of the other participants, at least in some versions of the rite. I’ll probably write a couple of interpretations of the rite: one will be for five or six people, another for the five or six principle ritualists and one or two dozen participant ritualists, and another as ritual theatre, i.e. principle ritualists and audience. I might even write a two person version. I’m pretty sure I could find enough people willing to participate in any of the versions that might be performed, and if not I’ll still have a lot of fun writing them all. What the hell, I think I’ll write a solo version too!

RITUAL.   NOVEMEBR. 8th, 2005
We turn to face the quarter of the water element. With our bodies and our voices and our hearts we call to elemental water, opening ourselves to its resonance, opening ourselves to the qualities of water, daring to open to loves flow.

We turn to face the quarter of the fire element. With our bodies and our voices and our hearts we call to elemental fire, opening ourselves to its resonance, opening ourselves to the qualities of fire, stoking the burning fire of the magical will.

We turn to face the quarter of the air element. With our bodies and our voices and our hearts we call to elemental air, opening ourselves to its resonance, opening ourselves to the qualities of air, knowing the inrushing breath of inspiration.

We turned to the earth once more, sealing the circle and balancing the elements, acknowledging and connecting with the earth below, with the sky above, with the divine within ourselves and within each other.

We turn once more to face each other breathing slowly, deeply, deliberately as we look into each other’s eyes. Our breath becomes one and the world fades as energy flows between us. She reaches into the core of my being and caresses the fire within, her breath flows into me, filling my lungs as her energy flows over and through my skin filling my body, filling my mind, filling my aura. And I feel my own energy entering her, caressing her body, reaching deep within, touching her innermost being as we breathe and dissolve and become something so much more than one.

Waves of loving energy wash over me and through me. I reach out and lightly brush her face, her lips, her ears, her eye lids and her hair, and as I do so my body shudders with passion. I look into her eyes and sink into their depths. She reaches out and runs silken fingers flashing energy through my hair down my shoulders and along my arms. Waves of energy flow through me, from the earth, from the sky, from her hands and from her eyes, and each wave of energy each breath of life, each shuddering sigh sees itself reflected in her breath, her sighs and in the trembling of her body.

Her fingers trace a line across my chest and I feel my heart open, pouring out its flood, washing through me and over me and from me in a rushing tide of love. I spread wide my arms and offer my heart. My hands reach out tracing lines from the palms of her hand up her arms, to the curve of her breasts, she shudders and sighs and in the soft sound of her breath I hear my own ecstasy reflected. My gaze falls upon her face, her breasts, her arms and stomach and I am filled with desire, she brushes my skin with her hands and desire is fulfilled, her eyes flutter, a soft sign escapes her lips and desire fills me once more. Each sight, each sound, each touch that she gives and receives, causes my body, my heart and my soul to cry and sing and vibrate with her resonance. She is my communion. She is my Goddess.


GOETIC MAGICK.  MAY. 10th, 2006
I’ve been doing some experimentation with Goetic sorcery recently and I have to admit that it hasn’t been all that successful so far, except that I have succeeded in learning a few ways of doing it that don’t feel right for me! I’ve always been a bit iffy about this sort of magick. Its not that I have a problem with demons (I’ve done plenty of work with my own), but I prefer to do invocations; the format of the Solomonic style evocation rituals has always concerned me…

It seems to me that in this system you build a metaphysical fortress (the circle), then use the authority of a deity to force an entity into the triangle and order it to satisfy your desires! Now I have no problem with satisfying desires, but this process disturbs me. It feels like the magician is trying to harness the demonic energies (whatever they are) to satisfy desires, without actually owning the desire. Also whatever demons are I reckon that in some way they mirror aspects of ourselves. Putting the thing in a triangle outside the circle seems to me to be a denial of this, while at the same time expecting this disowned aspect to still satisfy ones desires. It seems to me that a lot of the problems that people have are directly related to unconscious denial/desire interactions, so it seems kind of dumb to me to set up them up deliberately! I suppose you could say that evoking the demon is bringing it into consciousness, but I still reckon that hiding behind a wall (circle) and confining it to a triangle sends a pretty strong message of fear and denial.

When I have worked with my personal demons I have just invoked them, both as aspects of the self and as independent entities and then interacted with them in whatever way seemed appropriate. A lot of people (all of them that I know of) reckon its not safe to do this with the Goetic Demons, but then again some of the spirits I have worked with have equally bad reputations! Maybe I should have a chat with Baphomet and Hekate and see what they reckon!

We stand facing each other and begin to breathe slowly and deeply. We look into each other’s eyes and feel the connection between us. We breathe and focus on the divine within, we breathe and feel our connection with the earth beneath us, we breathe and feel our connection to the sky above. .

We turn to face the quarter of the earth element. With our bodies and our voices and our hearts we call to elemental earth, opening ourselves to its resonance, opening ourselves to the qualities of earth, feeling its dark material silence within ourselves.

STREGA.   JUNE. 27th, 2006
Some of you may know that Seline hosted a Strega Ritual this weekend at a well appointed recreational camp on the outskirts of Melbourne. Seline created the ritual based on Italian folk lore and magick and her family magical tradition, the Aradia material of Leyland, Neopagan practices and even some Raven Grimassi stuff. Therefore although the ritual could not be called traditional or ancient it was created from traditional as well as contemporary elements, and it was certainly very Italian in flavour.

About forty of us gathered for the event which began with the preparations for the evening meal. I couldn’t get away from work, so by the time I got there the meal was finished and Seline was just wrapping up the introductory talk. Then Seline showed us how to do the Tarantella (a traditional Italian folk dance) and the music and dancing started, those who were not dancing, or were resting between sets sat and talked in the comfortably warm common room. The dancing finished relatively early, probably because everyone was tired from the work week and/or saving themselves for the ritual on Saturday night. However a few of us sat up chatting ‘til about four in the morning before heading off to bed.

The next day was spent dancing, talking and having fun while we all helped prepare the days food, and what wonderful food it was: Delicious anti pasto, salamis, cheeses, salads, crusty bread and vino for lunch. For the evening meal there was gnocchi, sauces (including one called salsa del Diablo!), more salads, roast chicken and more, but that was as far as I got, being still somewhat sated from lunch!

Once all the food was prepared we relaxed until it was time for the rite. It was an amazing experience to hear Aradia and the other deities invoked in Italian, and to hear their Priests and Priestesses reply in the same tongue! And even though I couldn’t understand the words, the meaning was clear – partly from Seline’s explanatory workshop, partly from the occasional recognizable word, but mostly from the emotion and intent of the Priestesses and Priests, who inspired us to loose ourselves in the unfamiliar chants and dances. After raising power we all had the opportunity to throw our spells into the flaming cauldron to send them off on waves of flame and energy. There were cheers and tears of joy and release as we did so. And then with more shouts and cheers the Tarantella began. We danced and laughed with abandon – some of the dancing (mine in particular!) looked more like a frog in a blender than anything else, but everyone was enjoying themselves far too much to care! Many of us were so into the dancing that we had to be called three times to the feast! Those of you who have seen Pagans fall upon their food at a gathering will know how unusual that is!!

I had to leave relatively early to go to work the next day, but on Monday I spoke to a few of those who stayed, their legs and sleep deprived bodies were still recovering from the revelry! It was a great weekend, great food, great ritual, but most of all great company! I’m sure we will be doing more of this sort of thing in the future.

MAGICK AND SEX   AUGUST. 23rd, 2006
OK so some of the people reading this will already know a lot of it, but I have chosen to write it down to help me think about it, so here goes.

Since 1999 I have written, or made major contributions to 4 large group rituals, 3 of these had a very strong erotic orientation. During the same period I’ve also done heaps of coven rites, many solo rites, and quite a few duo rites.

Most of the coven rites followed a standard format that we developed and evolved over time, the actual substance of the rites changed to suit the requirements of the situation. There was little or no overt eroticism in most if not all of these rites.

Most of the duo rites followed a similar format, but were even less structured, and contained a higher level of overtly erotic energy, but little or no physical sexual elements. Sheil and I have done a little sex magick, but our magical styles are so different that these instances have been fairly infrequent. On the other hand though there is a high degree of magical compatibility and erotic charge between S and I, we have never been sexually intimate.

The solo rites were the least structured and most likely of all the rites (except for 3 of the 4 major rites I have done) to have an erotic content.

Obviously eroticism has had a significant influence on the way in which I structure and experience magick. Equally obvious to me is the fact that the less people involved the more likely I am to indulge in (and enjoy) eroto-magical practices.

This might seem odd when it is noted that the most erotic and sexual rites (in quantity at any rate) that I have been involved in have been 3 of the 4 major rites I have facilitated. But the truth is that I have experienced very little satisfaction from these rites– other than the joy of achievement at seeing these relatively complex rites happening and being enjoyed by others.

I began to sense how magically unsatisfying these rites were for me after the presentation of the ‘Baphomet’ rite at Euphoria 2004. The first two presentations of this rite, at PSG 1999 and at the inaugural Euphoria festival in 2000 were highly satisfying for me, interestingly these were the only 2 performances were there was no public sexual activity during, or immediately after the rite. After 2000 the eroticism portrayed in the ritual and the sexual activity engaged in by the participants steadily rose. Not only was there an increase in the erotic elements of the ‘Baphomet’ rite, but in 2003 I introduced a new rite which was designed to be at least as overtly erotic in its presentation, as was ‘Baphomet’, this was the ‘Cauldron of Transformation’ rite. In 2004 we repeated the ‘Cauldron of Transformation’ with some changes that made it even more erotic. The increased level of the erotic charge of the ‘Cauldron’ rite (though there may have been other reasons), seemed to result in a corresponding decrease in the ‘Baphomet’ energy level! I was not particularly disappointed by this, even though up to this point I had been trying to increase the erotic charge of the rites each year. I had at some stage begun to realize that contrary to my expectations the increase in eroticism was not encouraging any corresponding increase in my level of magical trance! That is not to say that other participants felt the same way that I did.

Since 2004 I have presented the ‘Cauldron’ rite at a smaller gathering of about 30 people, this rite was more intimate than the Euphoria performances, and at the same time less overtly erotic. I felt that for me there was a increase in my satisfaction at this rite, that was proportional to the drop in eroticism! This was not altogether a surprise to me.

In 2005 we staged ‘Baphomet’ again, however, I relinquished my role as priest for this presentation, and attended merely as a participant. There were still erotic elements in the rite, and there were still people having sex in the circle, but for me the awareness of the erotic element was virtually nil. Other than the first 2 performances of the ‘Baphomet’ rite, it was the most enjoyable experience of this rite that I have experienced!

Between Euphoria 2004 and 2005 I wrote (except for the circle casting) and participated in the most overtly sexual group ritual I have yet devised. The rite was dedicated to Lilith, and part of the aim of the rite for me was to allow myself to find (or create?) my most empowering relationship with my own eroticism, and to get some clarity on the subject of group erotic magick. The upshot of that ritual was that I decided that I really need to have a strong loving relationship with someone before I am interested in being sexual with them. I also went off all group ritual for a fair while.

But nothing remains static. After Euphoria 2005 I was involved in another group rite, this time however there was no eroticism written into the rite at all. The ritual was rewarding and illuminating for me, and even though the rite did not go as deeply into trance (as a group or for me personally) as I had hoped it might, I learned quite a bit about trance from the experience. However, something else almost as informative happened that weekend.

Whilst showering in preparation for the rite, I heard two people talking in the shower next to me, I joined the conversation and they invited me to join them in their shower, so I did. We then proceeded to talk, joke and soap each other up. It was an obviously erotic experience, and yet it was almost completely non-sexual, there was just a feeling of playfulness, and innocence and lack of expectation that was extremely enjoyable and liberating. And now I am thinking that I would like to experience some more of that sort of thing in an deliberately magical, sacred and ritual context. I’m sure it could be done, and I’m working on some ideas.


EUPHORIA OBSCURA?  DECEMBER. 19th, 2006
I was speaking to someone the other day about Euphoria. They mentioned that they had referred pagan friends to the website - www.euphoriapagan.org - and these friends apparently just didn't get the point of it. Weren't shocked, or affronted, or scandalised, just didn't understand what it was all about. Given that Euphoria 2006 was cancelled due to low bookings, and bookings are looking low again this year, I'm wondering if all the info we've put on the web site has just served to obscure our purpose, rather than explain it. Or maybe the purpose has always been obscure, and it was just all the hype about it, combined with the large numbers of new pagans looking for anything to satisfy their craving for knowledge and experienced that allowed Euphoria to book out so quickly in spite of peoples relative ignorance about what to expect. I never thought that Euphoria was a festival that was suited to everyone, but I dunno, are those of us who attend Euphoria year after year too close to the event to see how far removed it is from what most pagans need and desire? Is paganism in Australia too conservative to support an event like Euphoria, are the aims of Euphoria too obscure or too extreme for most people, or is there just too much to choose from, or is it something else?


HEKATE/BAPHOMET/MAGICK   FEBRUARY. 24th, 2007
I had a great time at the ritual we did on Friday night, great to be with people who are focused on the good stuff! Made me realize what a waste of time it is engaging with Trolls, unfortunately sometimes we have to, but for the moment I am just locking my posts and only allowing comments from friends, and I deleted the previous 2 posts 'cause I am sick of seeing them. So there!!

Anyhow, back to the ritual:
Hot room, chanting, moving, calling the Gods, the energy is chaotic, disconnected, almost uncomfortable, I wonder what I am doing, what we are all doing, then it changes consciousness begins to flow, the real becomes unreal and the inner world awakens and takes me into its embrace. I feel open, warm, giving, excited and content.

Then there is someone before me, we run our hands over each other, each touch, given and received sends a thrill of energy through me. Sweat pours from our bodies, as legs, arms, torso's and faces touch, embrace, caress and kiss. I feel like I am being turned inside out and back again, making love to the universe as we tease each other, areas of skin touching and moving towards and away.

Has someone lit the cauldron? I recall its intense heat, the flames rising and falling as we dance around it, but when? Before or after, does it matter?

Now the Goddess wears a different body, she stands before me, and is wild, bestial, almost angry, yet inviting, sensual and sweet, we devour each others energy then return it multiplied. I drink her in and she me, my heart is filled with her and yearns for more! Her touch, her scent, the softness of her skin, magick, magick, magick!


Now a god and I embrace and kiss, he caresses me, I begin to slap my palms against my chest, and he joins in, beating sharply but lightly upon my skin, up and down, front and back, until we are both roaring and shouting with glee.

Is this when the fire was lit? Dancing around and around, the flames respond to us and begin to swirl and snake and writhe within the cauldron.

There is more, is this when bodies and hands collide, is this when she enchants me with her magick? I can't tell, time and memory flow together, as the wine in the chalice flows from cup to mouth around the circle, more embraces more love, more magick. And the cone of power twisting the flame in the cauldron rises again and again, carrying our wishes into the world. Finally I drink of pure cold water and perception begins to return to consensus reality, or does it?


EUPHORIA AND AFTER  APRIL. 24th, 2007
Euphoria was a different experience for me this year. I went quite deeply into trance at each ritual, while the days were fairly laid back, in fact I often felt more like an attendee than an organiser. This meant that a few things that should or could have happened, didn’t, but overall I think the event went fairly well. Some stuff came up for me before during and after The Baphomet Rite that caused me tears, but they were healing ones, and I gained quite a few insights into some of my life patterns. After Euphoria I received a ‘Crystal Dreaming’ session from a friend, it was an interesting experience and more stuff came up, including some past life memories! I don’t really believe in past life stuff (don’t dis-believe either), so it was interesting to see what came through, I gained more insight into some of my patterns. The really interesting thing for me though, was that afterwards, while talking to S I started having more recalls, these were so intense that I experienced strong physical and emotional symptoms associated with what I was remembering. I also spoke to Sheil about this and similar things happened again. Whatever paradigm is used to explain this, I feel that the intensity of the experiences and the nature of the revelations were significant!

SENSORY SYNESTHESIA  APRIL. 24th, 2007
For as long as I can remember I have wondered what it would be like to experience life in a female body, even though I’m quite comfortable being male and I have never felt any confusion about my gender.



Even when I began noticing same sex attractions and an erotic interest in some aspects of cross-dressing (lingerie, stockings and suspenders mainly), I felt little or no threat to my masculine sense of self. Pleasure is a bigger motivator for me than peer group pressure or social norms, so I tend to regard the things I like and enjoy as acceptable, even sacred aspects of life. When I started reading Jungian writers and their ideas of an ‘inner female’ the notion seemed perfectly reasonable to me, and provided even more impetus to explore these ideas. I mainly did this through ritual and visualization, and trying to understand the significant women in my life.

I mostly dialogued with my inner female and experienced her as an entity with whom I could communicate. Through this process I began to recognise some of my personal aspects and abilities as relating more to this inner feminine than to my male self. This all seemed pretty seamless, except when I ritually externalized the inner female to communicate directly with her. I have also had the experience in ritual space of invoking a Goddess and feeling her consciousness fill me. These experiences have tended to be more cerebral than kinesthetic, until recently. A similar, but different experience has occurred when I have done the ‘Baphomet Rite’, where I have experienced my consciousness as both male and female. However, recently I have had ritual experiences where I actually felt my physical body change and become female. The following is an experience I had a few weeks before Euphoria.

Even though this was the first time we had done ritual alone together, I felt comfortable enough to ‘play it by ear’ so to speak.
After casting we sat facing each other and began intoning and invoking and playing with each others energy fields. The sensation was quite intense and it seemed that Hekate had heeded our call and had opened the cross roads to allow access to the inner realms. After a while I began seeing the Baphomet Sigil in the air between us, and the presence of Baphomet began to grow, until it was quite palpable around us.

Suddenly there was a shift and the energy of the Goddess Goat filled us both. We fell upon each other in an intense embrace of bodies and energy fields, kissing deeply, touching each other to the core, writhing in an ecstasy of reverence and lust.

I felt my energy changing, becoming more female, while she became more male. I could feel the weight of breasts pulling at my shoulders and lying upon my chest, my hips broadened and the genital sensations that I normally feel attached to my groin now also radiated from deep within me. I could feel my yoni pulsing with anticipation, longing to engulf and be filled! Suddenly she/he lunges at me, pushing me onto my back, I’m sure s/he would have forced my legs apart, if I hadn’t already flung them high and wide in anticipation. Hir crotch pushes against mine and hir hands claw at my breasts. I wrap my legs around hir and pull hir into me. I can feel the wetness of my desire flowing from and through my body, hir cock pushes against the wet opening and I draw it into me with a scream of mingled desire and satisfaction. S/he plunges in up to the hilt, waits a moment then starts driving in and out. Feelings of bliss rush through my body, wave after wave building and building, filling me until there is nothing else in the universe except the ecstasy of our joining! S/he fucks me and fucks me, for an age, an aeon, an infinity. Hir hands and hir mouth and hir cock fill my senses, the feelings and emotions are so intense that I can hardly hold them, and so I let go. Spasms of bliss rock my body and my soul again and again and again. We scream and shudder together, hir cock pulsing deep within me filling me with hir essence, as my yoni clenches and spasms enfolding us in ecstatic waves of bliss!

Something has been seeded, changes are afoot!

After an age my consciousness begins to return, it takes a while longer before I can stand and balancing on shaking legs we close the circle and make our way from the Temple.

I WANT  JUNE. 12th, 2007
I want to be in sacred space with people who know how to raise energy and share it with the only restraint being that which contributes to raising the energy higher and higher. Then BE ‘in’ that state – allowing it – until the energy feels unbearable and yet bear it we do, until we are able to expand our capacity for that energy, so that we may continue raising it, again and again and again until we are all madly intoxicated on the divinely erotic passion of magick and lust – raised and consumed, but not consummated; so that even as we feed our desire we yearn for more! Surrendering to our rapture we expand, deepen and intensify it again and again and again until our ego selves shatter in an ecstasis of Dyonisian abandon!!!! Surely it is possible to do this safely, sanely and consensually?

RITUAL INVOKATION OF ANCESTRAL WITCHCRAFT SPIRITS  AUGUST 2nd, 2007

We have done this before and we followed pretty much the same procedure as before. Laid out the formal 'Circle of Evokation' (our own design based on classic examples), cast circle, invoked Hekate with whispers and mutterings, offered a drop of our own blood to the flaming cauldron, then began circling as we whispered our invitation to the Ancestors of Witchery. The whispering changed into a wailing lament as we entered trance.

In the previous rite of this type we then interacted quite closely and intensely, but this time we went into our own places and stayed apart. I asked my question, but instead of (or in the form of) an answer I was over come with a devastating sense of despair and hopelessness. We left the ritual space and went our separate ways without saying much. It was late when I got home, I went straight to bed and cried myself to sleep (I have never done that before, ever!)

The next day when I got home from work Sheil said that she had found an interesting transition occurring in my chart at the moment. When she read out the explanation of it I was shocked – it was exactly how I was feeling! It’s not an easy aspect and it’s been going for about two years (which also fits), and has another two or so to go! I was a bit disheartened to hear that there is so much more of this energy to experience, but strangely (or perhaps not) this information actually gave me some hope. This aspect explains so much that has been going on for me in the past couple of years, and gives me insight into alternate ways to work with the energies. It will still be hard, but at least I can now work with it, rather than against.

Funny thing is I have had plenty of intimations and insights into this energy, but instead of going with it – as I am always preaching to others – I tried to impose my will on the situation. I some times despair at how often I seem to have to be hit over the head with the same lesson before I get it, and then after all the pain of learning I forget it and do it all over again!

IMBOLG RITUAL AUGUST. 6th, 2007
Even though I got some insight and perspective after the after the Thursday night ritual I was still feeling pretty down and not at all in the mood to conduct an open Imbolg ritual.

I often leave preparation for the shop sabbat rituals 'til a day or two before the ritual. This usually works ok, I’m used to it and the pressure inspires me, but the mood I was in after Thursday was not at all conducive to ad lib energy raising. So rather than using what little time I had to prepare something, I just put the whole thing out of my mind and hoped no-one would turn up, - I had high hopes as I hadn’t advertised much for this sabbat.

Needless to say a heap of people turned up (possibly the most so far) and most of them where people who had never been to one of my rituals before, so I couldn’t rely on them taking up the slack for me. Luckily the adrenalin kicked in and I got my act together, and even more luckily plenty of people got into the drumming and dancing and we raised some good fun energy! I’ve got to say that I got a lot of help from those people who had been before, Forest cleared the space, and Linda called the quarters and R (not sure if I should use your LJ tag with out asking) contributed her fantastic energy as usual. I’ve got to say that R has been a great support at these shop rituals, there have been many times when her enthusiastic energy has given the ritual the lift it needed to take it from a simple ceremony into a meaningfully energetic ritual experience. Thanks heaps!

As I said in my previous post, Sheils insight into the astrological energies that are around me at the moment has helped me to feel a sense of hope, but this Imbolog ritual has made that hope just a bit more real.

RITUAL AUGUST. 26th, 2007
Did ritual with some friends last night. We cast circle, did a chakra visualisation then invoked and raised energy, we seemed to raise plenty of energy, but it was very heavy and dense - that just describes the feel of it, it wasn't bad just ponderous. We then swept each others auras clean, someone started drumming and we sort of danced around the cauldron. Then I sat and meditated. In spite of the fact that we had interacted during the aura sweeping it didn't feel to me as if I really interacted with anyone, and in fact when I closed my eyes and started to meditate I had no sensation of anyone else being in the temple space. I quickly went into a state of blissful communion with emptiness and when I came back I felt almost shocked to see that there were other people near by! We finished with the loving cup, and suddenly I felt very sensuous and just wanted to cuddle up with someone and finish the cup together. If there had been someone there that I had that sort of relationship with I could have snuggled all night. In spite of eating something immediately after the ritual and having a snack when I got home I was still buzzing and didn't feel like there was much point trying to sleep ‘til about 2 am.


EUPHORIA AFTERMATH AND RELATING TO BAPHOMET  JUNE. 21st, 2008
I posted these thoughts about relating to Baphomet on the Euphoria Tribe list, but I thought I’d put it in my LJ as well, even though most of the people on my F-List are on the Tribe list as well.


I'm still processing, but here are some thoughts I have had about Baphomet.

From my personal perspective the image of BAPHOMET that we use, particularly the image manifested by Seline was by no means the full representation of the deity. BAPHOMET is the name and the image that I use to access something infinitely greater. For me that image was
something that got the juices flowing and allowed me to enter an altered state where I could experience a measure of the infinite and awesome reality behind appearances. I found that while the images we work with may be finite images of deity, they never-the-less provide
a concept that I can relate to on a personal level. This level of personal relating allowed me to touch the energy of deity and go beyond my personal limited view of what that might be. It allowed me to enter a reality where I could feel and appreciate my connection
with something so vast and mysterious that I cannot and could not put a name to it.

The sense of connection and rightness that I feel in this state cannot be described, but it has enriched and sustained me in times where I have felt that everything else was turning to shit. On the other hand my relationship with the image of BAPHOMET has been somewhat less than wonderful of late. I have not been able to connect with this image in a meaningful way, other than to feel anger and disappointment. I am well aware that this is my issue and that
my feelings say more about me than they do about BAPHOMET, nevertheless my feelings were very strong and it did not seem wise to me to ignore them, so I stayed with that feeling and tried to determine what it meant for me. Part of the process of reevaluating my relationship with BAPHOMET was attempting to put aside my participation as a priest in the BAPHOMET ritual. Part of my anger probably stems from allowing myself to be dragged back into the role
last year. After last year's BAPHOMET ritual it became obvious to me that a change was needed, that sense grew as my negative personal feelings towards the BAPHOMET did.

After last years experience I knew that we needed a new ritual to symbolise the various changes that had been foreshadowed, including S's decision to pass on the torch. Another element that I felt needed addressing was the idea that BAPHOMET does not reside in the image of the priestess that manifests hir, but is a part of each and every one of us. However due to my ongoing issues with the image I decided to ask Gavin to write the ritual, this decision was largely
based on a fragment he had shown me years ago which I thought had a lot of potential as a ritual performance. I asked Gavin to use that fragment was the basis of the new BAPHOMET rite.

I have to admit that when I saw the new rite being rehearsed I was a little concerned, as I perceived that this was much more a theatrical performance than previous BAPHOMET rites. Although ritual and theatre are closely related this is not something that has been explored much at Euphoria (not by me at any rate). Trying to act/model behaviors, actions and spiritual reality is much harder than creating a sensual – emotional - ritual atmosphere and then inviting the deity to manifest. I suppose that is one of the reasons that I liked this new rite - it was doing something which I felt I was not prepared to or capable of doing at this time. When the ritual was performed I was amazed at the power and emotion that was generated – not to mention the amazing manifestations of the 'cone of power' in the cauldron. This amazement was multiplied during the
debriefing process when I saw many people struggling to come to terms with the reality, and the artifice of the experience, and getting quite emotional about it.

I think this ritual opened up a Pandora's box of ideas, insights and possibilities, and as feminist re-writings of the myth have demonstrated, the contents of Pandora's box can be seen as blessings as well as (or rather than) curses, depending on how we relate to them. The ritual asked us questions that are difficult to hear, let alone answer -
Where does authenticity abide ?
What is the nature of my relationship with sacrifice and self-
sacrifice?
W hat is my relationship with the image of deity?
To what extent do I relate to the form and to what extent do I relate
to the substance?
How do I recognise, honour, and invoked the inner deity?
When and/or why do I focus on an external image?
How is it that artifice and pretence can become real, and reality
become artifice and pretence?

I don't necessarily have answers to these questions, but I feel that our reactions to the ritual have the potential to tell us more about ourselves than about the ritual itself. One of the things that I
hoped would arise from this ritual was an increased awareness that the energy or entity that we call BAPHOMET is in fact part of us - all of us are BAPHOMET. Part of the ritual was intended to
specifically model and illustrate this concept, however, the part of the ritual which would have made this intent clear, was forgotten by the ritualists. Perhaps we all need to grow a bit more than before that idea can become a reality.

I thought this rite was powerful when I went into trance after the formal part of the ritual, even though I spent most of the actual rite, running around behind the scenes sorting out props and
costumes. Sitting and watching the cauldron spiral and dance, even though there was hardly any movement in the Temple was amazing, having an hour or more go by in the blink of an eye is another familiar sign that more is going on between the worlds than just the physical actions. I've been affected in ways I couldn't have imagined by this rite, like I said at the start, I'm still processing.

FAKE IT TIL YOU MAKE IT??   [Jul. 25th, 2008|
I've posted this on a couple of lists I'm on, so apologies you you get this more than once.

The creation and perpetuation of myth is an aspect of culture that I find quite fascinating. I find the ways in which cultures relate to, change and are changed by their myths to be quite magical, and of course myth is a constant source of inspiration for the magical practices of many people, myself included. I find it particularly interesting when mythic themes enter contemporary society and blurs the line between documented fact and popular fiction. Dan Browns books are a classic example of this phenomena, the Late Great Robert Anton Wilson deliberately messed with these concepts, while others such as Carlos Castaneda have caused considerable confusion by writing about things which seem to have little or no basis in the cultures to which they lay claim.

Some of these people may be simple fakers or they may have felt a higher purpose, but I find them all fascinating, especially after reading Robert Anton Wilsons thoughts on the question of authenticity in “The Cosmic Trigger, Vols 1, 2 & 3”. Wilson seems to love the Fakers, and I have to admit to a soft spot myself, even though some of their antics can cause some people pain and irritation. There are some situations when fakery may cause real harm, as in the case of cultural mis-appropriation of the beliefs and practices of indigenous people who have already been exploited to the point of cultural if not actual extinction. However, aside from these cases I find the blurring of boundaries between real and un-real, myth and history and their relationship to authority to be quite fascinating. I was therefore very interested to read the following review of the late Hugh Trevor-Roper's book - 'The Invention of Scotland', it looks like another one to add to the wish list.


LATE THOUGHTS ON FAITH          [Mar. 25th, 2009
I meant to post this ages ago, but I got side tracked and forgot, but I suppose it is not too late to do it now.

A few moths ago it seemed that heaps of people were having a crisis of faith I don't really get that, nor do I get the other pagans who seem to feel hurt, threatened or let down by those who have lost or changed their faith.

It is not that my faith is so 'strong' that it is immune to doubt. Quite the opposite: my practice of paganism is based upon personal 'mystical' experience, but unlike many people who write about these things I am filled not with certainty by these experiences, but with an overwhelming sense of how little I can ever hope to understand of these GREAT MYSTERIES.

I don't know why, but this makes me feel very optimistic and joyful when ever I contemplate or experience it. Doubt becomes a positive thing in my world, something that not only leaves room for, but positively exalts in mystery and surprise! The only thing I'm really sure of, is that I'm not sure of anything, the sense of freedom and potential in this is awesome it makes me want to dance and giggle madly, oh and cuddle, especially cuddle, don't ask me why, its a Mystery!!!!!

ETA - A few hours after posting this I was watching The New Inventors on ABC (Australia)T.V. When the host signs off he gives a quote from someone, tonight's was from Van Gough, I can't remember it exactly but it went something like this - "Me - I know nothing, but when I look at the stars I dream" Gotta luv synchronicity!!

AUTHENTICITY??  MARCH 26
Back in 1980, when I first made contact with other pagans, witches and magicians, the concept of ‘authenticity’ was embodied in the notion of 'genuine lineage', if you didn't have that you were nothing! I was so convinced of this presumption that I would not even read the few 'how to' books that were available at the time, because I only wanted the 'real' thing! That attitude lasted until I experienced my very first ritual with 'authentic' witches.

I won't go into details, but that was one of the most disappointing experiences of my life! I left the coven-stead dejected, and returned to the friends house where my partner and I were spending the weekend. They could see immediately that I was gutted, so they offered to do a ritual to cheer me up the next night. My friends and my partner were all practicing magicians, and up 'til that point I had declined their offers to participate in ritual because, they were magicians , not witches, and I wanted to be a witch! Also they were not initiated into any recognised lodge, and I didn’t want to dilute my first experience of ‘real’ witch magick, by doing something ‘inauthentic’. I would cringe to think how naive I was then, but the truth is I can still be naive, I've just learned live with it!

The ritual we did was awesome!! At one point as I called in the fire element, the little camp fire that we were working around leapt up and surrounded me entirely in flames, but aside from a few singed hairs on my arms and eyebrows, I was not burned at all. That ritual set the course of my subsequent adventures in the occult world, no longer was I interested in titles and affiliations, energy and effect became the final arbiters of authenticity for me.

Subsequent rituals that I tried were not so impressive, and so I set about investigating and experimenting with different systems and styles of magick. It was during these explorations that I noticed something strange - many of the people that I read about and met were obviously full of crap, and yet at least some of their stuff worked! This caused me considerable confusion and grief as I tried to work out what was ‘real’ and what was not. Then I read 'The Cosmic Trigger' by Robert Anton Wilson (Blessed Be His Name), and discovered the concept of 'Relative Meta beliefs' - or as I understood it the situationality of beliefs, and the subjectivity beliefs and what we thought about beliefs. I realised that all my dearly held and hard won certainties about ‘reality’ and magick said (virtually) nothing about objective ‘reality’, but lots about how I interacted with it, whatever the hell ‘it’ was. Since then the word 'reality' is always in quotes for me, and although I didn't realise it, and didn't have a name for it, part of me began to process my perceptions of the world in a way that I would soon learn to call Kaos Magick.